Alejo Benedetti

The resulting images are not the flashiest works, but they reward prolonged looking and would appeal to formalist junkies.

Like the name suggests, 'America Sneezes' brings together two themes: America and abjection.

The wall text welcoming viewers to the exhibit begins with a quote from Testino where he states, “…when a country loses the connection between its history and its traditional dress, something truly precious is lost."

In many ways this show stays the course of what Ball has been exploring for the past few years: quasi-scientific abstractions of the real world that sometimes resolve themselves and other times remain entirely ambiguous.

It's just too easy to read: graffiti meets Abstract Expressionism, but cleaned up and lacking the hurried rawness or energy of either genre.

Garcia finds a middle ground that merges childish diversions with technical fluency.

Myers' complicated structures have an aura of mathematic roots, if for no other reason than their resemblance to Spirograph drawings.

To reintroduce a passé subject without the crutch of irony or impressive technical skill is a challenging task. Bodycomb needs to channel her inner Hitchcock.

Pallasvuo's "Nu Paintings" are a virtual call to arms.

Though these lurching masses and ethereal constructions are assembled collections of junk, the space is anything but a hoarder’s trove.

No genre of work is spared the tongue-in-cheek slight of becoming a roadside attraction.