Ayden LeRoux

"How can we reach a community and think about the resources within the community in order to demonstrate that the museum is part of the community?"

Don’t get me wrong: I’m grateful to see Ai Weiwei's work here in Texas, but its symbolic leverage is skewed here.

My silly prodding created an opportunity for a profound and provocative response from the museum.

Austin: Between dips at Barton Springs and Deep Eddy in the next week, try to stop downtown to take in Bing Wright’s first show at Lora Reynolds Gallery. The New York-based artist’s…

Through these narratives Louden attempts to correct the course of what an artist can be, and how they contribute to society at large.

There is something jejune in this lack of reality presented in the style of realism.

Simões’ newest sculptures at Lora Reynolds Gallery leave us with his more human and humane idea of Brutalism.

"Humor is useful as a hook and it puts people at ease, and then once you have people at ease, you can do something else to them."

Steck’s photography encapsulates all the mortality, vitality, and inevitability of change.

“Seen in a certain way, the history of art and literature is a history of all this love.”

It is through these staged recreations that we confront our own bodies as agents of death, pain, and healing.

In Rodda's work, we're seeing through so many lenses and types of voyeurism that it feels impossible to parse the ethics of it all, and the work addresses this tension.

The surface of jubilant play and imperfection in McNamee-Tweed’s work gives way to a more existential bleakness.