A still-life theme shapes concurrent exhibitions at two Fort Worth galleries.
Barbara Koerble
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Both artists share a respect for nature that eloquently underpins their bodies of work.
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This peripatetic group is getting a chance to show its stuff somewhere other than a pop-up venue.
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The foundational images that are at the heart of Malone’s work carry a sense of the eternal forces that made them.
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Murphy’s sculptures have an undeniable presence, and remind us that reductive forms can be elegant and seductive.
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This is Art Tooth's first exhibition in a dedicated art space, and the premise of the show is to examine how each artist interprets their personal and local environments.
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The popularity of Dan Lam’s work has soared recently due in no small part to the artist's presence on social media.
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The artists in THREE use considerable wit and pathos, and all of the work in the show is meant to address our current political climate.
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This show represent a major milestone for the 27-year-old artist as proof of his artistic growth during a two-year period of concentrated work.
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The exhibitions at deadWEST are the result of a curatorial collaboration between artists Winter Rusiloski and Angel Fernandez, and are installed in the artists' own studio spaces.
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Both artists are long-term friends who have an affinity for nature; the title 'Call and Response' refers to art that was derived from an “emotional impulse driven by direct contact with the natural world.”
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"I enjoy the building part of the process; it is very calculated. The paintings process itself is very spontaneous."
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Dutch theorist and artist Samuel van Hoogstraten described landscape artists as “the common footmen in the Army of Art.” Maybe, maybe not.