Home
Articles
News
Podcasts
Top Five
Video Tours
- How To Submit
Upcoming
- Houston
- DFW
- Austin
- San Antonio
- West Texas
- East Texas
- The Panhandle
- The Valley
- Online
On View
- Houston
- DFW
- Austin
- San Antonio
- West Texas
- East Texas
- The Panhandle
- The Valley
- Online
Classifieds
Donate
Subscribe

Home
Articles
News
Podcasts
Top Five
Video Tours
- How To Submit
Upcoming
- Houston
- DFW
- Austin
- San Antonio
- West Texas
- East Texas
- The Panhandle
- The Valley
- Online
On View
- Houston
- DFW
- Austin
- San Antonio
- West Texas
- East Texas
- The Panhandle
- The Valley
- Online
Classifieds
Donate
Subscribe

Author

Christine Gwillim

Christine Gwillim

Essay
Review: Dancing with Deborah Hay at Texas Performing Arts & the Harry Ransom Center

by Christine Gwillim March 18, 2023March 19, 2023

by Christine Gwillim March 18, 2023March 19, 2023

Christine Gwillim on the work and philosophy of postmodern choreographer and dancer Deborah Hay.

Facebook Twitter Email
Review
Make/Shift: Performing the Art at the Blanton Museum of Art, Austin

by Christine Gwillim January 7, 2023January 9, 2023

by Christine Gwillim January 7, 2023January 9, 2023

Christine Gwillim on how museums can incorporate theater and performance to break down barriers and challenge visitors.

Facebook Twitter Email

SELECT A REGION

HOUSTON
DFW
AUSTIN
SAN ANTONIO
WEST TEXAS
THE PANHANDLE
EAST TEXAS
THE VALLEY

Facebook Twitter Instagram Youtube Email Soundcloud

We Recommend

Summer Days: selections from the permanent collection & Conversations and Connections

Adrienne Brown-David: Taken Aback by my Own Beauty: Identity as Rebellion

COMMERCE GALLERY AUGUST 2023 SHOW

Native Impressions: In Our Own Words

GRACE WEAVER: INDOOR PAINTINGS

Mihee Nahm: Healing

Summer Days: selections from the permanent collection & Conversations and Connections

Native Impressions: In Our Own Words

❮ ❯

Recent Comments

Mark Kever on Founding Director Howard Taylor Retires from the San Angelo Museum of Fine Arts
A on “Who’s the Bad Guy?”: Ten Years After Spray Painting Over Picasso’s “Woman in a Red Armchair,” Uriel Landeros Continues to Create Controversy
Ann on Georgia O’Keeffe and the Politics of Seeing
burt finger on Senior Curator of Photographs John Rohrbach Retires from the Amon Carter Museum of American Art
Angel Quesada on Elias Lytton, Angel Quezada: Beautropism
Angry Cloud on Please Stop Painting The Electrical Boxes (A Public Art Proposal)
Jerry Kruse on “Southwest Rising: Contemporary Art and the Legacy of Elaine Horwitch” at the Briscoe Western Art Museum
Neil unterseher on Ed Blackburn, 1940 – 2022

Staff Picks

Deep Fried Pizza & Times Square: Outtakes from 2022 by William Sarradet
Review: "Iva Kinnaird: Elizabeth Warren’s Ear" at F, Houston by Graham Bell
Art Dirt: Looking Back at 2022 by Glasstire
Lighting the Way: Alfred Walker by Jessica Fuentes
Glasstire's Best of 2022 by Glasstire

About Us
Classifieds
Donate
Advertise
Subscribe
Copyright Notice
Contact

SUBSCRIBE

Funding generously provided by: