Darryl Ratcliff

I enjoy seeing my art scene wearing its Sunday best.

Dallas' Goss-Michael shows how an institution can shift gears and broaden its impact.

I decided to look at the exhibition history of CADD galleries to see how diverse this prestigious group is when it comes to the artists they choose to exhibit.

On Wednesday night, Peter Doroshenko, director of the Dallas Contemporary, talked to approximately forty eager art world types. "Anything is possible," he said, "You are the only roadblock."

His paintings are giant Jenga puzzles daring you to take out one last block, poised to tumble into uncomfortable corridors where race, masculinity, past, and present meet.

“The Black Letter" was designed and delivered with care, and for some that made its contents even more disturbing.

Shook! is Holloway’s first attempt to process not just the black experience, but his personal experience with being a black artist.

The recession brought to the city a concentration of young, energetic, like-minded creatives. Now, how do we keep them here?