David S. Rubin

A San Antonio-based artist who has been exhibiting since the early 2000s, Joey Fauerso is known for videos, animations, and works on paper that blur the boundaries between painting, drawing, and performance.

On his website and business card, San Antonio native Rolando Briseño lists his profession as "Cultural Adjustor and Public Artist."

At once humorous and unsettling, Lawrence's work treads the fine line between beauty and horror.

Sauter undertakes the majority of his explorations using installation formats; it allows him to present his discourses with a physical immediacy on a very human scale.

Valdez's narrative is an allegory for the physical, emotional, and spiritual journeys faced by all human beings as we move through life.

By the early 2000s, the artist had become interested in new digital technologies and, making his own contribution to the field, began using a camera of his own invention.

Best known for his distinguished body of portraits and self-portraits, Ángel Rodríguez-Díaz has also established himself as an accomplished printmaker and public artist.

Cunningham-Little began her career working in a traditional craft medium, but veered far afield. Her sculptures from the early 1990s are literally glass houses, each a container for metaphoric imagery about domestic violence.

Energetically charged by the elaborate patterning and the warm glow of light, these scenarios reflect Cobb's view that, while reality is just an illusion, it is always alive and bustling with vitality.

The daughter of a Chinese mother and a Russian-Irish father, Datchuk has faced the complexities of otherness for her entire life.

In the studio, Lanfear's collections of objects become the raw material for artworks that evolve through an intuitive process of finding creative avenues for their arrangement and presentation.

During my years at SAMA, I marveled so many times as I witnessed Latino high school students with eyes glued to Alvarez's work. For many of them, it is their story too.