Dal Verme combines graphite and paper in impossibly intricate works that bypass any colloquial definition of drawing.
Author
Emily Nichol
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A West Texan stage where bemused cowboys and old yearbook photos intermingle with a robed prophet and the ghost of Pablo Picasso.
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Unconventional placement tests how Araujo’s work holds up in contexts outside the traditional exhibition space, and speaks to the curator’s happy-go-lucky sensibility, but feels confused.