"Every day try to be more human, and less of a consumer."
Hannah Dean
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News
Chinati Weekend Presents Virtual 2020 Programming Beginning Friday, October 9
by Hannah Deanby Hannah DeanOfferings include music, archival tours and a 1978 interview with Donald Judd by Marfa elementary school students.
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Marfa's Chinati Foundation recently announced its 2021 resident artists, as well as residency extensions and delays for 2020 due to Covid-19.
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Nam joins Ballroom from the Carpenter Center for the Visual Arts at Harvard University, where she served as the Assistant Director since 2015.
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News
UT’s Landmarks Begins 11th Season of Video Program and Announces Online Exhibition
by Hannah Deanby Hannah DeanThe exhibition focuses "works that illuminate cultural differences through the experiences of various identities in the world."
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And while arts funding is often the first to get cut, all numbers point to the arts as a driving force in the economy (especially in Texas).
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I'm writing this on my phone in a car, with a kid in the backseat, while I wait in a Walmart curbside pickup stall.
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Two stellar but very different exhibitions in Lubbock for its First Friday Art Trail in January hit upon eco-centric themes.
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The setting of 'The Uncolonized' precedes us by a few centuries, but the discourse doesn’t seem too distant.
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The work has traveled to Amsterdam, New York, London, and Frankfurt. Now: Lubbock.
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No matter the evils and compression (literally and metaphorically) of social media upon art, I use Instagram a lot.
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Op Ed
The Best, Most-Cleverest Review You’ll Ever Read (And Other Writing Mistakes I’ve Made)
by Hannah Deanby Hannah DeanBecause I’m such an interesting person, this review has no thesis, and your mind should still be blown.
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For a casual observer or pedestrian, the spaces Hegert calls into focus go unseen.
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After 33 years of teaching for the School of Art and serving as interim director and director between 2005 and 2013, Fuentes will continue her international art practice from her Lubbock-based home and studio.
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I think I’m failing Christie Blizard.
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In short, this show presents like a most timely biennial.
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Before accepting the position as LHUCA's executive director, Ms. Maestri served as the institution's community engagement manager and interim director.
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Whether bursting with visual stimuli or more sparse and lonesome, these works speak to lonesomeness, self-discovery, attitudes about sex, and the kitchen-sink drama of everyday life.
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It is wild to see an entire show of completed Rembrandt etchings and studies in the middle of nowhere.
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It's a breath of fresh air to be confused and not receive an immediate answer from the artwork.