In late 2007, the Museum of Fine Arts, Houston opened its permanent Arts of Korea gallery, and immediately mounted an exhibition of the work of the modern master, Suh Se-ok.…
John Devine
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Museum curators lead interesting lives in our interesting times. Exhibitions are planned years in advance and, so, are vulnerable to the sudden shocks of wars or terrorist attacks, the chilling…
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Review
“Making It New: The Art and Style of Sara and Gerald Murphy” at the DMA
by John Devineby John DevineIt is tempting to view the two lives celebrated in Making It New: The Art and Style of Sara and Gerald Murphy, organized by the Williams College Museum of Art…
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Some might think the J.M.W. Turner retrospective is too much of a good thing. Organized by the National Gallery of Art in Washington, the Metropolitan Museum of Art and the…
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Review
“Where Clouds Disperse: The Ink Paintings of Suh Se-ok” and the Arts of Korea Gallery
by John Devineby John DevineWhere Clouds Disperse: Ink Paintings by Suh Se-ok creates a contemplative space in the rear galleries of the Museum of Fine Arts , Houston’s Caroline Weiss Law building. Curated by…
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One’s first impression of Mary Heilmann: To Be Someone, organized by the Orange County Museum of Art and curated by Elizabeth Armstrong, is that there are too many paintings. The…
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The Menil Collection is marking its 20th anniversary with A Modern Patronage: de Menil Gifts to American and European Museums, an exhibit that mixes works from the Menil’s holdings with…
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Although the majority of the paintings in Jill Moser’s first solo show at Wade Wilson Art (for that matter, in Houston) are from a series she’s titled stills (2005), they…
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Darryl Lauster would seem to have his finger on the pulse of the Houston zeitgeist right about now.
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The gallery space is darkened, an unsettling glow emanating from behind the wall that confronts you as you enter. A thin horizontal line of light runs across the wall, drawing…
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Jane and Louise Wilson are known for their video investigations of institutional spaces, and Erewhon, currently at the University of Houston’s Blaffer Gallery, is no exception.
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With her installation Laguna, Hilary Wilder has transformed Devin Borden Hiram Butler Gallery’s minimalist main space into a maximalist phantasmagoria.
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Is there another American photographer who’s given us as many iconic images as Diane Arbus?
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Viewing A Spirited Vision: Highlights of the Bequest of Caroline Wiess Law to the Museum of Fine Arts, Houston, the thought occurred to me: it’s always nice to see how…
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David Fulton has made his peace with beauty.