Michelle Kraft

Michelle Kraft reviews a solo show by Houston artist Nela Garzón and a group exhibition featuring works by PrintHouston member artists, both on view at LHUCA in Lubbock.

Michelle Kraft writes about an exhibition by Clarendon, Texas-based artist Jack Craft, on view at Kouri + Corrao Gallery in Santa Fe.

Michelle Kraft reviews an exhibition featuring artwork made by various members of Lubbock's McDonald family.

While visiting the work of Guido Caprotti in Spain, I was struck by how the Italian painter’s professional trajectory mirrored that of the Taos Society of Artists in New Mexico.

Like Marfa, Cuenca’s status as an international art mecca was seeded by a singular artistic personality and vision — in fact, Cuenca predates Marfa in this regard.

Michelle Kraft reflects upon her time leading a study abroad program in Avila, Spain with students from the Texas Panhandle.

By addressing issues of shame associated with not meeting perceived standards, it is Drescher’s hope that, one day, such questions will become irrelevant.

The exhibition is a love letter to Wilke's hometown, defined by its distinctive haunts and habitués. 

It was the aloneness of travel — the solitary spaces of the West — that catalyzed O’Keeffe’s most intensive periods of artistic and personal growth.

That our built environments should be ephemeral only serves to remind us of our own transience.   

Energy is manifest both in Flueckiger’s process for creation, as well as in the visual qualities of the paintings themselves.

White explores ontological questions of singularity-immensity, time, and being.

Reyna explores motherhood and Autism Spectrum Disorder in a new exhibition in Lubbock.

Disparte adopts the grid as an artistic convention while simultaneously disavowing it.

The motivations for artistic self-representation range from mere convenience to profound exploration.

As an artist, educator, and civic leader, Cooke’s impact continues to reverberate within Lubbock as a whole.

Even at their most lonely, it is comforting to know that places like these still exist.