Patricia Mora

It does what all great sculpture does: it constellates a space and causes a new orbit to begin with it as its center.

In introducing five new intaglio pieces titled The Kakistocracy Portfolio, Ted Kincaid is moving his art practice into strident new terrain.

"Ordinary moments can seem transcendent to me. They tend to be alive with multiple meanings."

Anila Quayyum Agha's newest work, on view at Talley Dunn in Dallas, emerges as a small, quiet spectacle that operates with intelligence and sensuous resonance.

"My art bridges contemporary art practices with traditional craft processes, allowing participating communities to reclaim, preserve, and innovate their traditions."

If one turns a corner in the upper gallery, a sunny narrative breaks open and dispels any and all disquietude.

We’re less corporeal than ever, and there’s art to prove it.

When is art profoundly true and when is it functioning as a propaganda device? And is there a hierarchy in art to which we should acquiesce?

This show serves as a reminder that the ancient and eternal axis mundi can become available anywhere we choose to excavate it.

The show delivers up a mystical sensibility cloaked in the guise of the ordinary.

Bowdoin delivers a load of allusions, imagery, medieval references and heady constructs with minimal clues as to how they should be deciphered.