Ruben C. Cordova

Los hilos de la fe y la incredulidad están profundamente entretejidos en el arte de Lisette Chavez.

Ruben C. Cordova examines three phases in the Metropolitan Museum of Art’s practice of deaccessioning art from its collection.

The Guerrilla Girls' ongoing struggle, fought with words and images, has served to raise issues of diversity and inclusion and to inspire artists and activists around the globe, both within and beyond the world of art.

Ruben Cordova on how San Antonio artist Adan Hernandez created the unique style dubbed "Chicano noir."

This article is the third in an annual exploration of Catrina-related phenomena in art and popular culture written for Glasstire.

The threads of belief and disbelief are thoroughly interwoven into the fabric of Lisette Chavez’s art.

The works featured in this exhibition range from China and India to present day Nepal, Sri Lanka, Thailand, Cambodia, Korea, and Japan.

Everything and everyone is connected.

Este artículo explora los ideales y objetivos fundacionales de Huntington, los logros—tanto los buenos como los malos—de los dos directores anteriores y los antecedentes de Kientz junto con los objetivos que tiene para su nuevo cargo.

Keep the party, lose the war.

This article looks at Huntington’s founding ideals and objectives; the achievements — both good and bad — of the previous two directors; and Kientz’s background and his goals for the HSM&L.

This article — in celebration of Valentine’s Day — is a chronological sampling of Apollo and Daphne images from different times and places, ranging from antiquity to 20th-century fantasies.

Don’t mess with Cupid.

Por lo tanto, hemos probado tres suculentos platillos de canibalismo como sátira, y creo que los tres son deliciosos.

This article is the second in an annual exploration of Catrina-related phenomena in art and popular culture written for Glasstire.

Cordova's final installment in the series covers works by Reyes that address the struggle for political representation and social services in Texas, reviews the “Southern Strategy” and race, and concludes with Trump and the 2020 election.

Aquí nos echaremos un clavado a una discusión sobre más héroes y villanos.

La Malinche has long fascinated the San Antonio-based artist Cesar Martinez.

The Chicano movement was galvanized by — and it became deeply identified with — the struggles of the United Farm Workers Union.

Es un promiscuo mezclador de culturas y demoledor de las jerarquías artísticas, al igual que un satírico brillante y políticamente cáustico.