Article

Former Casa Chuck resident artist and current Interim Director of Sala Diaz, Heyd Fontenot, considers various artist ecologies, cinematic and actual, and fantasizes a domicile to contain it all.

Juan Sandoval, coleccionista de arte mexicano y latinx, legó una extensa colección de libros a una librería independiente de El Paso.

Without a doubt I have learned more from Bartlett rather than the other way around.

La historia del bibliotecario Juan Sandoval, su destacada colección de arte Mexicano y Latino, y cómo el clima político de El Paso moldeó su legado.

The ambitious project was announced in April after SAMA’s receipt of a $20,000 grant from Art Bridges.

Sharing space and taking the time to really listen is the least that we can do. 

Este artículo explora los ideales y objetivos fundacionales de Huntington, los logros—tanto los buenos como los malos—de los dos directores anteriores y los antecedentes de Kientz junto con los objetivos que tiene para su nuevo cargo.

I'm interested in working with a building that shows its lifetime — that is an architecture of histories and stories and memories that collide with the present.

What a fool I was to believe that a few minutes would be enough time to get to the bottom of it all.

It was the aloneness of travel — the solitary spaces of the West — that catalyzed O’Keeffe’s most intensive periods of artistic and personal growth.

Thank goodness for Bartlett's people.

"I look forward to hearing stories and to learning the experiences from the Black communities in the town."

I’m currently sitting in my brand-new, 100-square-foot studio. Really, it’s a 10x10-foot shed kit, but I call it my “off-grid studio/office” to anyone who’ll listen.

Mention the names of artists Yasuyo Maruyama or Suguru Hiraide to locals in Wichita Falls, and they’ll instantly know who you’re talking about.

We should be skeptical of first appearances, because like any place that has history and memory, Bartlett is neither abandoned, nor anywhere near a ghost town.

At the DMA, Julian Charrière is dealing in a rare material: Arctic ice.

What happens to the character of these small towns as our city-folk manifest the desire to expand, and as our art centers become more and more decentralized because of it?

I'm left to wonder how the slant toward bleak-themed exhibitions is perceived by those walking into shows for the first time in so many months; is it our responsibility to feel in synch with how bad things are?

The story of librarian Juan Sandoval, his preeminent Mexican and Latinx art collection, and how El Paso’s political climate shaped his legacy.

Bartlett is in a moment in which the collision of its anachronisms may end up mapping what its future can be.