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Glasstire talks with artist Winston Taylor about his current exhibition of ceramic sculptures on view at the Rockport Center for the Arts.

B Shawn Cox's new exhibition at Davis Gallery in Austin, Texas takes a critical and whimsical look at the bouffant hairdo.

On October 22, Davis Gallery in Austin will open a survey of works by Texas-based photographer Kevin Greenblat.

Leslie Moody Castro talks with artist Austin Uzor on the occasion of his solo exhibition at the Rockport Center for the Arts.

House, a painter, and Younger, a sculptor, have sourced scenes from far West Texas and beyond in this most recent collaboration, which can be described as intentionally gentle in its aesthetic.

Jan Heaton, the Austin-based artist who, next week, is opening an exhibition at Davis Gallery, has used the past two years to redefine her practice.

SHSU will be a pioneer in the field: it will be the first and only Texas university to offer this degree program.

Vaughan’s plein air subjects derive from all over the U.S., but she gravitates toward the countryside lining the Texas coast.

"I was feeling like abstraction had really dried up, that it had really come to the end of the line. And then I found Mark Bradford. And I thought, ‘Ah ha, here’s another rabbit hole that we can really go down.’"

The crux of the collaborative practice of Gaye Lynn and Michael Hodgson, over thirty years in the making, is that eating and drinking is a performative act that should be honored.

Alison Hearst is Associate Curator at the Modern Art Museum of Fort Worth, and the curator of the museum’s FOCUS exhibition series.

Here, O’Neil answers ten questions (inspired by the Proust Questionnaire and slightly tweaked by Glasstire).

Christina Rees talks with Modern Art Museum of Fort Worth curator Alison Hearst about the museum's acclaimed Focus exhibition series, the politics of art acquisitions, and the work of current Focus artist Martine Gutierrez.

Christina Rees talks with artist Robyn O'Neil about her life, her work, and her current exhibition at The Modern Art Museum of Fort Worth. 

Here, Thornton answers ten questions (inspired by the Proust Questionnaire and slightly tweaked by Glasstire).

For both Reuter and Rockport, the show is a kind of homecoming —  a way to honor and engage with an already tight-knit community that endured a painful and life-altering event.

Vouros' drawings are rife with quiet drama, and teeter between storybook wonder and the heightened precariousness inherent in the natural world. 

Kersey describes the dramatic meaning behind her intricately decorated work: “My art is about the end of the world. It is about more ‘happy’ things too — my love of the clay material and the natural world, the magic of the potter’s wheel, the alchemy of glazes, and the world-wide human culture... .”

“It is my sincere desire that, when looking at my work, the viewer experiences the wonderment of the birds in their natural habitat.”

This year it's paired with a wide variety of music and impressive photography.