William Sarradet writes about the art, new studio spaces, and performances he encountered during a visit to Austin in July of 2023.
Review
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Colette Copeland writes about her experience visiting the most recent Meow Wolf installation, "The Real Unreal" in Grapevine, Texas.
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EspañolReview
“I Am Not Your Mexican” en la Ruiz-Healy Art es espacialmente fluido
by Ashley Allenby Ashley AllenAshley Allen reseña la exposición "I Am Not Your Mexican" en la galería Ruiz-Healy Art en San Antonio.
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Garland Fielder reviews the exhibition "William Kentridge: In Praise of Shadows," on view at the Museum of Fine Arts, Houston.
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Review
Competing with Lightning/Rivalizando con el Relámpago: Eamon Ore-Giron at The Contemporary Austin
Leslie Thompson reviews an exhibition featuring 20 years of work by artist and musician Eamon Ore-Giron.
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Review
Review: “Patrick Renner: Once & Future Architecture” at Architecture Center Houston
by Doug Welshby Doug WelshDoug Welsh reviews an immersive exhibition by Houston artist Patrick Renner, on view at Architecture Center Houston.
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Review
“Southwest Rising: Contemporary Art and the Legacy of Elaine Horwitch” at the Briscoe Western Art Museum
Caroline Frost reviews an exhibition featuring artists shown by the legendary Arizona art dealer Elaine Horwitch.
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Sophia del Rio reviews Ghislaine and Lando Fremaux-Valdez's raw, powerful exhibition, "CORPUS SECRETUM, (body secret)," on view at Arts Fort Worth.
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Valentin Diaconov reviews three exhibitions by artist Ming Smith, on view at the Contemporary Arts Museum Houston, Art is Bond, and Barbara Davis Gallery.
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Review
Strange Stories and Dreams: The Magic of Angelica Raquel’s Storytelling in “Leyendas and Mine”
Jacky Cortiaus reviews Angelica Raquel's solo exhibition "Leyendas and Mine," on view at Hooks-Epstein Galleries in Houston.
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William Sarradet writes about exhibitions at Martha’s, The Contemporary Austin, McLennon Pen Co. Gallery, and Northern-Southern.
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Review
Connecting to the Future: “If You Look Hard Enough, You Can See Our Future” at the African American Museum of Dallas
Megan Wilson Krznarich on how the exhibition "If you look Hard Enough, You Can See Our Future" at the African American Museum in Dallas reflects the people and happenings of the city.
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Jessica Fuentes and Brandon Zech discuss the exhibition "William Kentridge: In Praise of Shadows," featuring 35 years of work by the artist, on view at the Museum of Fine Arts, Houston.
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Leslie Thompson reviews the exhibition "Echoes of Our Ancestors," on view at Kinfolk House in Fort Worth
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Colette Copeland reviews an exhibition by Don Netzer that explores the mechanics and tools of gun violence.
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Michelle Kraft reviews a solo show by Houston artist Nela Garzón and a group exhibition featuring works by PrintHouston member artists, both on view at LHUCA in Lubbock.
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Leslie Moody Castro writes about an exhibition of photographs that highlights the underrepresented culture of Black cowboys.
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Barbara Purcell writes about the New York City half of the exhibition "I Am Not Your Mexican," on view at Ruiz-Healy Art.
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Ashley Allen reviews the exhibition "I Am Not Your Mexican" at Ruiz-Healy Art in San Antonio.
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Josué Ramírez reviews an exhibition of recent sculptures by Texas artist Danville Chadbourne, on view at the San Benito Cultural Heritage Museum.